|
70 mm Film
70 mm film (or 65 mm film) is a wide high-resolution film gauge for motion picture photography, with a negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. As used in cameras, the film is wide. For projection, the original 65 mm film is printed on film. The additional 5 mm contains the four magnetic strips, holding six tracks of stereophonic sound. Although later 70 mm prints use digital sound encoding (specifically the DTS format), the vast majority of existing and surviving 70 mm prints pre-date this technology. Each frame is five perforations tall, with an aspect ratio of 2.2:1. However, the use of anamorphic Ultra Panavision 70 lenses squeezes the image into an ultra-wide 2.76:1 aspect ratio. To this day, Ultra Panavision 70 produces the widest picture size in the history of filmmaking; surpassed only by Polyvision, which was only used for 1927's Napoleon. With regard to exhibition, 70 mm fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
70mm Cinema Film Stripe
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube. As an early prime number in the series of positive integers, the number seven has greatly symbolic associations in religion, mythology, superstition and philosophy. The seven Classical planets resulted in seven being the number of days in a week. It is often considered lucky in Western culture and is often seen as highly symbolic. Unlike Western culture, in Vietnamese culture, the number seven is sometimes considered unlucky. It is the first natural number whose pronunciation contains more than one syllable. Evolution of the Arabic digit In the beginning, Indians wrote 7 more or less in one stroke as a curve that looks like an uppercase vertically inverted. The western Ghubar Arabs' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit more rectilinear. The eastern Arabs developed the digit fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raoul Grimoin-Sanson
Raoul Grimoin-Sanson (1860–1941) was an inventor in the field of early cinema. He was born in Elbeuf, as Raoul Grimoin; he added the surname Sanson later. He had an early interest in stage magic as well as photography. In the 1890s, Grimoin-Sanson began experiments in moving pictures, and desired to project films, like those from Thomas Edison's kinetoscope, on screen. In 1896, he invented a crude camera/projector combination called the Phototachygraphe. In 1897, he patented the Cinéorama, a panoramic film projection system involving ten synchronized projectors. The Cinéorama was demonstrated at the 1900 Exposition Universelle in Paris, but problems with heat from the projectors caused it to be shut down. Despite the failure of his Cinéorama company and of later film work, in the 1920s Grimoin-Sanson would attempt to claim to be one of the major pioneers of film, alongside Marey and the Lumières The Lumières (literally in English: ''The Lights'') was a cultural, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MGM Camera 65
Ultra Panavision 70 and MGM Camera 65 were, from 1957 to 1966, the marketing brands that identified motion pictures photographed with Panavision's anamorphic movie camera lenses on 65 mm film. Ultra Panavision 70 and MGM Camera 65 were shot at 24 frames per second (fps) using anamorphic camera lenses. Ultra Panavision 70 and MGM Camera 65's anamorphic lenses compressed the image 1.25 times, yielding an extremely wide aspect ratio of 2.76:1 (when a 70 mm projection print was used). Ultra Panavision saw much less use than its sibling, the more popular Super Panavision 70, and was only used on ten films from 1957 to 1966. However, nearly fifty years later, Robert Richardson famously resurrected Ultra Panavision 70 after the lens test he came to do at the Panavision headquarters for the upcoming project with Quentin Tarantino, where he discovered that the lenses and equipment were still intact. Tarantino was fascinated by this and was able to refurbish the lenses for use in his next f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Super Panavision 70
Super Panavision 70 is the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 1959 and 1983. Ultra Panavision 70 was similar to Super Panavision 70, though Ultra Panavision lenses were anamorphic, which allowed for a significantly wider aspect ratio. However, Ultra Panavision 70 was extremely rare and has only been used on a handful of films since its inception. History During the late 1950s, the Hollywood filmmaking community decided that changing from filming in the commonly accepted 35 mm format to 65 mm film would provide viewing audiences with an enhanced visual experience, compared to an anamorphic widescreen image. To this end, cameras began to be designed to handle 65 mm film stock. The first camera system to be released using this format was Todd-AO, in 1955. The second was MGM Camera 65, a system designed by Panavision, which was introduced in 1956. In 1959, Panavision introduced Super Panavision 70 to compete with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinemascope
CinemaScope is an anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter. Its creation in 1953 by Spyros P. Skouras, the president of 20th Century Fox, marked the beginning of the modern anamorphic format in both principal 2.55:1, almost twice as wide as the previously common Academy format's 1.37:1 ratio. Although the technology behind the CinemaScope lens system was made obsolete by later developments, primarily advanced by Panavision, CinemaScope's anamorphic format has continued to this day. In film-industry jargon, the shortened form, 'Scope, is still widely used by both filmmakers and projectionists, although today it generally refers to any 2.35:1, 2.39:1, 2.40:1, or 2.55:1 presentation or, sometimes, the use of anamorphic lensing or projection in general. Bausch & Lomb won a 1954 Oscar for its development of the CinemaScope l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patton (film)
''Patton'' is a 1970 American epic biographical war film about U.S. General George S. Patton during World War II. It stars George C. Scott as Patton and Karl Malden as General Omar Bradley, and was directed by Franklin J. Schaffner from a script by Francis Ford Coppola and Edmund H. North, who based their screenplay on ''Patton: Ordeal and Triumph'' by Ladislas Farago and Bradley's memoir, ''A Soldier's Story''. ''Patton'' won seven Academy Awards, including Best Picture, Best Director and Best Original Screenplay. Scott also won the Academy Award for Best Actor for his portrayal of General Patton, but declined to accept the award. The opening monologue, delivered by Scott as General Patton with an enormous American flag behind him, remains an iconic and often quoted image in film. In 2003, ''Patton'' was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". The Academy Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sound Of Music (film)
''The Sound of Music'' is a 1965 American musical drama film produced and directed by Robert Wise, and starring Julie Andrews and Christopher Plummer, with Richard Haydn, Peggy Wood, Charmian Carr, and Eleanor Parker. The film is an adaptation of the 1959 stage musical of the same name, composed by Richard Rodgers with lyrics by Oscar Hammerstein II. The film's screenplay was written by Ernest Lehman, adapted from the stage musical's book by Lindsay and Crouse. Based on the 1949 memoir '' The Story of the Trapp Family Singers'' by Maria von Trapp, the film is about a young Austrian postulant in Salzburg, Austria, in 1938 who is sent to the villa of a retired naval officer and widower to be governess to his seven children. After bringing love and music into the lives of the family, she marries the officer and, together with the children, finds a way to survive the loss of their homeland to the Nazis. Filming took place from March to September 1964 in Los Angeles and Salzburg. ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Around The World In 80 Days (1956 Film)
''Around the World in 80 Days'' (sometimes spelled as ''Around the World in Eighty Days'') is a 1956 American epic adventure-comedy film starring David Niven, Cantinflas, Robert Newton and Shirley MacLaine, produced by the Michael Todd Company and released by United Artists. The epic picture was directed by Michael Anderson and produced by Mike Todd, with Kevin McClory and William Cameron Menzies as associate producers. The screenplay, based on the classic 1873 novel of the same name by Jules Verne, was written by James Poe, John Farrow, and S.J. Perelman. The music score was composed by Victor Young, and the Todd-AO 70 mm cinematography (shot in Technicolor) was by Lionel Lindon. The film's six-minute-long animated title sequence, shown at the end of the film, was created by award-winning designer Saul Bass. The film won 5 Academy Awards, including Best Picture. Plot Broadcast journalist Edward R. Murrow presents an onscreen prologue, featuring footage from ''A Trip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oklahoma! (1955 Film)
''Oklahoma!'' is a 1955 American musical film based on the 1943 musical of the same name by Richard Rodgers and Oscar Hammerstein II, which in turn was based on the 1931 play ''Green Grow The Lilacs'' written by Lynn Riggs. It stars Gordon MacRae, Shirley Jones (in her film debut), Rod Steiger, Charlotte Greenwood, Gloria Grahame, Gene Nelson, James Whitmore, and Eddie Albert. The production was the only musical directed by Fred Zinnemann. ''Oklahoma!'' was the first feature film photographed in the Todd-AO 70 mm widescreen process (and was simultaneously filmed in CinemaScope 35mm). Set in Oklahoma Territory, it tells the story of farm girl Laurey Williams (Jones) and her courtship by two rival suitors, cowboy Curly McLain (MacRae) and the sinister and frightening farmhand Jud Fry (Steiger). A secondary romance concerns Laurey's friend, Ado Annie (Grahame), and cowboy Will Parker (Nelson), who also has an unwilling rival. A background theme is the territory's aspiration for s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Todd-AO
Todd-AO is an American post-production company founded in 1953 by Mike Todd and Robert Naify, providing sound-related services to the motion picture and television industries. For more than five decades, it was the worldwide leader in theater sound. The company now operates one facility in the Los Angeles area. Todd-AO is also the name of the widescreen, 70 mm film format that was developed by Mike Todd and the Naify brothers, owners of United Artists Theaters in partnership with the American Optical Company in the mid-1950s. Todd-AO had been founded to promote and distribute this system. History Todd-AO began as a high resolution widescreen film format. It was co-developed in the early 1950s by Mike Todd, a Broadway producer, and United Artists Theaters in partnership with the American Optical Company in Buffalo, New York. It was developed to provide a high definition single camera widescreen process to compete with Cinerama, or as characterized by its creator, "Cinerama o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Optical Company
The American Optical Company, also known as AO Eyewear, is a luxury American eyewear and sunglass company based in Vernon Hills, Illinois near Chicago. AO designs and manufactures in the United States. History Founded in 1833 by William Beecher, AO was later bought by fellow apprentice Robert H. Cole who became the largest shareholder and first president of the company. When he retired in 1891 and Beecher died in 1892, the volume of production was about two million frames and a million pairs of lenses per year. After a visit by John F. Kennedy in 1958 to its original manufacturing site in Massachusetts, AO iconically became a go-to brand of the president. in March 2020, STATE Optical Company, a division of Europa Eyewear, acquired the company and moved equipment and production to their facility outside Chicago. Luxury eyewear AO re-released its Original Pilot, General, and Saratoga sunglass lines. The Original Pilot was the pair of sunglasses worn by the entire Apollo 11 crew wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Todd
Michael Todd (born Avrom Hirsch Goldbogen; June 22, 1909 – March 22, 1958) was an American theater and film producer, best known for his 1956 production of ''Around the World in 80 Days'', which won an Academy Award for Best Picture. Actress Elizabeth Taylor was his third wife, and Todd was the third husband of Taylor's seven husbands, and is the only one whom Taylor did not divorce - Todd died in a private plane accident a year after their marriage. He was the driving force behind the development of the eponymous Todd-AO widescreen film format. Early life Todd was born in Minneapolis, Minnesota, to Chaim Goldbogen (an Orthodox rabbi), and Sophia Hellerman, both of whom were Polish Jewish immigrants. He was one of nine children in a poor family, the youngest son, and his siblings nicknamed him "Tod" (pronounced "Toat" in German) to mimic his difficulty pronouncing the word "coat." It was from this that his name was derived. The family later moved to Chicago, arriving on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> MGM Camera 65")
4.jpg "Click for more on -> Patton (film)")
